Meryll Rogge Fall 2025: No Wallflowers Here
24th & Ocean Crochet Solid Scoop Neck Tiered Ruffle Tankini Swim Top
Versacegeometric-print washed jeanslight blue cotton blend stonewashed geometric-pattern print front button and zip fastening classic five pockets logo patch to the rear straight hemMade in ItalyThe origin of the goods may vary from batch to batch. Please refer to the actual product.CompositionOuter: Cotton 88%, Polyester 11%, Elastane 1%Lining: Polyester 65%, Cotton 35%The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed.Washing instructionsMachine WashThe washing method is subject to the commercial washing standardWearingThe model is 1.86 m wearing size 32Product IDsFARFETCH ID: 18835541Brand style ID: 10060781A06197
Meryll Rogge created a collection of crumbling beauty, equally tinged with nostalgia and art. The Belgian designer looked to the works of Gordon Matta-Clark, who would make temporary installations from the walls of soon-to-be-destroyed buildings, as well as the prints of vintage wallpapers from the famous Priem shop in her hometown of Ghent, as inspiration for fall. She reinterpreted those handmade wallpapers as prints for fall, and finished them off with ruffles, pleats, bows and beading; it was if your grandma’s favorite lampshade was reincarnated as ready-to-wear. Mixed with bits of her sport and leisurewear codes she steered clear of retro, and her quirky take on layering and mix of menswear added range. The result was a play on structure versus softness, embellishment vs. austerity, embodied by crisp coats against lacy lingerie, chunky knits with quilted, drop-waisted skirts, shrunken tanks over plaid button downs. Bright colors felt fun and hopeful. You May Also Like Rogge’s tailoring has matured, her cuts are sharper, and here she used bonded wool to create excellent outerwear. It all felt quite romantic yet useful — a standout grass green coat had a variety of pockets that would fit all manner of electronics. The show was set in an abandoned mansion stripped down to the studs, while Rogge brought in benches covered in century-old wallpaper, and served Champagne and croissants. Plus the Belgian brigade of young designers, including Igor Dieryck and Marie Adam-Leenaerdt, turned out to support. The brand is working with a new sales agent this season. “They’re really ready to take us to the next level,” she said. With her smart yet quirky pieces there should be plenty of options.
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